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State of The Art Equipment |
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DJ EQUIPMENT

DJ REQUEST FORM

PRIMETIME AGENCY |
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Makie Gear |
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Power Amp |
Massive High Current Amplifier |
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2600 watts @ 4 ohms bridged |
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1700 watts @ 8 ohms bridged |
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1300 + 1300 watts @ 2 ohms stereo |
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850 + 850 watts @ 4 ohms stereo |
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500 + 500 watts @ 8 ohms stereo |
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Ultra-low-noise/ low-distortion design |
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Fast Recovery circuitry reduces distortion at the edge of
clipping and beyond |
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Two 2nd order, 12dB/octave, Bessel low-cut filters with variable
frequency from Off to 170Hz help optimize bass output of your
sound system |
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Two 4th order, 24dB/octave, Linkwith-Riley subwoofer crossovers
with three selectable frequencies |
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Limiter with
On/Off switch (decreases distortion that may become present when
the M•2600
is driven at max levels without affecting overall sound levels) |
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XLR thru outputs |
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Speakon(r) connectors and 5-way binding post outputs |
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Detented gain controls calibrated in dB & volts |
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Signal present and OL LEDs |
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Channel Status LEDs |
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Easily handles 2-ohm loads all night long |
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Superior T-Design cooling |
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Mixer Professional Mixer With Effects |
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High-headroom mic preamps with RF rejection |
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16 channels (12 mic/line mono, and 2 stereo line channels) |
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32-bit
EMAC™
digital effects with 9 reverbs, 4 delays, phaser, chorus, flange;
2 parameter controls + EFX wide spatial expander |
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External and internal EFX sends |
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EFX to Monitor control |
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9-band stereo graphic equalizer |
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Inserts on all mic channels and main mix |
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True 4-bus design with direct sub outs and L/R assign |
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2 Pre/Post Aux sends and internal/external FX level sends on each
channel |
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3-band EQ with swept mid (100Hz to 8kHZ) on mic/line channels |
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4-band EQ on stereo line channels |
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Pan, Mute, PFL solo on each channel |
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Inserts and 100Hz low-cut filters on all mic/line channels |
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Subwoofer output from built-in 18dB/oct. 75Hz crossover |
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Ingenious BREAK switch |
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Headphone output with level control |
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Tape/CD inputs with level control assignable to Main Mix via
Break switch |
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Logarithmic taper 60mm faders |
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48V phantom power |
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Speakers Crisp Sound Low Noise
Reduction Speakers |
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2-way bi-amplified, optimized active system - no external power
amplifier needed! |
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Built-in monolithic FR Series™ 300 watt RMS bass & 100 watt RMS
mid/high amplifiers |
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Built-in precision 24dB/oct. Linkwitz-Riley electronic crossover |
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300mm long-throw frequency transducer |
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High-output precision titanium compression driver |
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Studio-quality maximum dispersion horn design |
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High SPL Output/Low Distortion |
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Electronic Time Correction, Phase Alignment, & Equalization
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Servo Feedback controlled woofer |
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Tough, impact-resistant, lightweight polypropylene enclosure
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Speakers Crisp
Sound Low Noise Reduction |
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Wide-dispersion, studio-quality horn assembly with multi-cell
aperture horn throat & exponential / conical HF mouth |
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1.75" high
frequency compression driver |
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Composite
mylar diaphragm increases clarity, eliminates resonances |
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12-inch
long-throw low frequency transducer |
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Reclines for
use as a stage monitor |
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Weight-balanced asymmetrical trapezoidal cabinet - strongest &
stiffest in it's class |
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10 built-in
fly points & built-in pole mount |
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Two
comfortable side handles for easy carry & set-up + top handle for
easy positioning |
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300 watts RMS
power handling |
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8-Ohm nominal
impedance |
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C300 has
Speakon® connectors |
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C300i has 1/4"
jack connectors |
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Subwoofers |
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Mega Bass Output Sub Woofers
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High
127dB SPL |
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600 watts
RMS of FR Series™ high current amplification |
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15" cast
frame RCF LF transducer with 3" inside/outside-wound,
high-temperature voice coil & High Flux magnetic circuit |
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Built-in
electronic stereo/mono high pass crossover network |
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Recessed
level control and 0°-180° phase switch |
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Can be
used with active or passive speaker systems |
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Compact,
portable enclosure with ultra-small footprint for
unobtrusive, strategic placement |
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18-ply
Baltic Birch enclosure with built-in pole mount (pole hole |
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Stanton s-650
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Stanton Cd Player
- 20
second Anti-shock per side
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Seamless Loop
Buffer Memory
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Digital Outputs
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Relay Playback (Flip Flop)
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Fader Start
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Instant Start
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to +/- 16% Pitch Bend
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Multi-purpose Jog Wheel
- Auto
Cue eliminates dead space
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Pitch Display
- 8x
Over Sampling
- 30
Programmable Play Tracks on each side
- 6
Different Speed Scans
- 8cm
CD Singles Compatible
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Real-time Cue
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Instant Cue point recall
- 60
Seconds transport protection (open tray closed after 60 sec.)
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Reads CD-R
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one, Repeat All, Single, continue, sleep modes
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Numark Mixer
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Inputs: 8 line, 3 phono, 2 mic
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Split or blend cuing, PFL gain adjust w/ meter
- ±6
or 12 dB 5-band graphic EQ w/ rear panel defeat
- Mic
1 w/ individual EQ and auto-mute w/ sensitivity adjustment
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Fader start, panning on master fader
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- FOR BOOKINGS CONTACT:
- PRIMETIME ENTERTAINMENT
- (585) 424-3678 or (585) 330-0099
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Numark
CM-100
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